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Karen Pinkus

Professor of Italian and Comparative Literature

Klarman Hall, Room K269
kep44@cornell.edu

Overview

Karen Pinkus is Professor of Italian and Comparative Literature.  She is also a minor graduate field member in Studio Art and a Faculty Fellow of the Atkinson Center for a Sustainable Future.

She is Editor of Diacritics.

For at least a decade, Karen has been working between Italian studies and environmental humanities with a focus on climate change. At times these two areas come together, as in a series of talks that she is giving on the relation between Italy--the nation-state that exists on the surface--and the subsurface, with its own borders, subsidences, disturbances and discontinuities.

Here most recent works in progress are:

1) on the Italian side, a book, tentatively titled Autonomia/Automata: Machines for Writing, Laboring and Thinking in 1960s Italy explores issues around labor, automation and repetition in Italian art, literature, design and film of the 60s.  In part, this work thinks with cinema the power of the Autonomia movement, the refusal to work, the question of wages, and sexual difference.

2) Supported by a semester-long SSHA Residency fellowship from the Atkinson Center for a Sustainable Future, she is working on a book, Down There. The Subsurface in the Time of Climate Change, between critical theory, geology and geography. I want to address epistemological questions of the subsurface: how we think we know this realm, how we represent it to ourselves, the kinds of laws that we develop to govern it, and so on. There is, of course, an enormous difference between oil (mysterious, liquid, pumped up by technological means) and coal (taken out by humans from "empty" caverns, more closely tied in our imaginations to dirt, labor and industrial history). The central aim of my book, then, is to think the subsurface beyond simple mastery (we can control it) or renunciation (we cannot do anything there); beyond the extremes of exploitation (what we do down there has no effect up here so all activities are fair game) and conservation (leave it alone). I ask if works of literature and science from different historical periods, philosophy, legal theory can open up toward a different relation to what lies "down there."

My most recent book, Fuel, thinks about issues crucial to climate change by arguing for a separation of fuel (perhaps understood as potentiality, or dynamis, to use the Aristotelian term) from energy as a system of power (actuality, use).  Fuel follows a series of literary, filmic and critical texts through the form of a dictionary (from “air” to “zyklon D”).  Fuel engages with literature, art and critical theory as they are central to analogy and in turn, to fuel itself. Here is a link to review of the book by Imre Szeman in the Los Angeles Review of Books.

RECENT COURSES

Romance Studies

  • Rome on Film
  • The Cinematic Eye of Italy
  • Precariousness
  • Landscape in Italy, from the Diattamundo to cyberspace
  • Technohistory of Italian Cinema

Comparative Literature

  • Art, Literature, and Environment
  • Humans and Climate Change

Departments/Programs

  • Comparative Literature
  • Romance Studies

Graduate Fields

  • Art
  • Comparative Literature
  • Romance Studies

Courses

Publications

Books

  • Fuel: A Speculative Dictionary. (University of Minnesota Press, 2016)
  • Alchemical Mercury: A Theory of Ambivalence (Stanford University Press, 2009)
  • The Montesi Scandal: The Death of Wilma Montesi and the Birth of the Paparazzi in Fellini’s Rome (University of Chicago Press, 2003)
  • Picturing Silence: Emblem, Language, Counter-Reformation Materiality (University of Michigan Press, 1996)
  • Bodily Regimes: Italian Advertising Under Fascism (University of Minnesota Press, 1995)

Translations

  • Translation and edition of Francesco Adinolfi, Mondo Exotica: Sounds, Visions and Obsessions of the Cocktail Generation (Duke University Press, 2008)
  • Renato Barilli, A Course in Aesthetics (University of Minnesota Press, 1993)
  • Giorgio Agamben, Language and Death, with Michael Hardt (University of Minnesota Press, 1991)

Selected Recent Articles and Book Chapters

  • (2016) “Intermittent Grids,” South Atlantic Quarterly special issue on Autonomia and Anthropocene, edited by Bruce Braun and Sara Nelson
  • (2016) “Air,” (excerpt from Fuel) in Dominick Boyer and Imre Szeman, eds. The Energy Humanities Reader. Baltimore: Johns Hopkins University Press, 2016.
  • (2016) “Humans and Fuels, Bíos and Zōe,” chapter in A Cultural History of Climate Change, eds. Tom Ford and Tom Bristow. London: Routledge (environmental humanities series).
  • (2014), “Le missive precarie di Alighiero Boetti,” volume on precariousness edited by Monica Jansen and Silvia Contarini. Verona: OmbreCorte
  • (2014) “Search for a Language: Response to Ian Baucom,” invited respondent to essay by Ian Baucom, “Postcolonial Method and Anthropocene Time,” in Cambridge Journal of Postcolonial Literary Studies, eds. Debjani Ganguly, Ato Quayson, Neil ten Kortenaar.
  • (2014), “Silent Running: Notes for The Remake,” special issue of Yearbook of Comparative Literature, edited by Paul North and Eyal Peretz on “Ideas of Nature.”
  • (2014) “Risk,” essay for Fueling Culture: Politics, History, Energy, Ed. Imre Szeman, et. al. forthcoming from Fordham University Press.
  • (2013)“Thinking Diverse Futures from a Carbon Present,” Symploke vol. 21, nos. 1-2 (special issue on Critical Climate).
  • (2012) “Hybrid Futures from a Carbon Present,” Symploke vol. 21, no. 1 (special issue on Critical Climate–forthcoming)
  • (2012) “Ambiguity, Ambience, Ambivalence, and the Environment,” Common Knowledge 19:1 (December) (Symposium: Fuzzy Studies, Part 4), pp. 88-95
  • (2012) “Nature (of Betrayal),” New Centennial Review 12.1 special issue on Betrayal, editors Richard Block and Michael du Plessis
  • (2012) “Selling Gasoline in Autarchic Italy,” in Figura umana. Normkonzepte der Menschendarstellung in der italienischen Kunst 1919-1939. Eckhard Leuschner, ed. Petersberg: Michael Imhof Verlag: 151-160
  • (2012) “Dematerialization from Arte Povera to Cybermoney through Italian Thought,” diacritics, vol. 39.3 (2009), 65-77
  • (2011)  “Antonioni, Cinematic Poet of Climate Change,” in Antonioni, Centenary Essays, edited by John David Rhodes and Laura Rascaroli.  London: Palgrave MacMillan, 2011
  • (2011) “The Risks of Sustainability,” in Criticism, Crisis, and Contemporary Narrative. Textual Horizons in an Age of Global Risk, editor Paul Crosthwaite. London: Routledge, 2011, pp. 62-80
  • (2010) “Sustainability: a Dialogue with Images,” with Cameron Tonkinwise, World Picture Journal (December)
  • (2010) “Carbon Management: A Gift of Time?” Oxford Literary Review 32 (July), 51-70
  • (2010) “At the End: Cinema After Climate Change” (Udine Permanent Film Studies Conference Proceedings)
  • (2010) “The Rome of Pasolini’s Petrolio,” with Paolo Matteucci, Annali d’talianistica (special double issue on Rome)
  • (2008) “Nothing From Nothing: Alchemy and the Economic Crisis,” World Picture Journal (November)
  • (2008) “On Cars, Climate and Literary Theory,” Technology and Culture (October)

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